Oprah Spotlights Vegan
Diet, Book
L. A. Times
Oprah Winfrey is no stranger to eating a vegan diet -- she famously tried
a 21-day vegan cleanse in 2008 -- but she recently upped the ante,
convincing 378 staffers at her production company to go vegan for a week
and documenting the results on Tuesday's "Oprah" episode.
Winfrey's guests included Michael Pollan, the author of "The Omnivore's
Dilemma" and an expert on the meat industry, and Kathy Freston, whose new
book "Veganist: Lose Weight, Get Healthy, Change the World" is currently
Amazon's top seller. Also featured on the program was a segment in which
reporter Lisa Ling visited a slaughterhouse.
Freston, whose previous book inspired Winfrey's first foray into the world
of veganism, is nothing if not a persuasive advocate for plant-based
diets: Journalist John Heilpern, who recently interviewed Freston for
Vanity Fair, ended his article by explaining, "I will never become an
alfalfa-and-brown-rice man, but since my lunch with Kathy Freston I have
decided to give up eating all meat."
Animal-rights activists appeared divided on the episode's merits, with
many commenting on Twitter and Facebook that they appreciated the exposure
Oprah offered veganism but didn't appreciate the tone of the segment on
animal slaughter, which some viewed as downplaying the inherent cruelty of
killing animals for food.
Brit's Top Spy, Shamus
Reborn
The Ian Fleming estate have authorised the latest James Bond book, while
Sir Arthur Conan Doyle's family have chosen author Anthony Horowitz to
breath new life into Sherlock Holmes.
"It might have been in their mind that they wanted to attract a new
audience to the short stories and novels of Conan Doyle", said Horowitz,
who promises a Victorian setting with modern sensibilities.
He told Sky News: "I am best known as a children's author with the Alex
Rider books.
"There's a huge audience of boys and girls leaving children's books behind
them and looking for more adult books and therefore it is a perfect fit."
Anthony Horowitz is writing a new Sherlock Holmes novel
American author Jeffrey Deaver is setting part of his new Bond book in the
Middle East.
The Fleming family will no doubt be hoping to capitalise on the success of
Sebastian Faulks' Bond novel 'Devil May Care', and the young Bond series
by Charlie Higson.
"You have always got the feeling that Fleming is looking over your
shoulder", said Higson.
"And you are always aware that what you're doing is basically playing
around with toys that Ian Fleming created and they are toys that boys
loved playing around with.
"So it was fabulous fun for me and it never felt a burden."
Charlie Higson wrote the young James Bond series. Keeping the
traditionalist fans happy whilst drawing in a new audience is not easy.
But if Horowitz and Deaver do find the right formula they may well find
themselves as rich as their stories.
The Times book critic Barry Forshaw said: "I actually think these two new
books cannot fail.
"Both are by high-profile authors, the franchises still exist in film form
and there are two simultaneous franchises of Sherlock Holmes.
"Also the Bond films have been re-activated, so there is that interest
again and if a new author can do something new, something fresh with the
character, that is good as well."
Sky News
Sacked for Writing
Racy Novel with Students
by Chris Brooke
An English teacher was sacked after writing a racy novel for pupils about
their sexual fantasies and truancy, an employment tribunal heard
yesterday.
Leonora Rustamova, known as Miss Rusty, said it was an attempt to inspire
the 15-year-old boys as they hated women and were regularly in trouble
with police, overtly racist and violent.
But her husband then accidentally made the novel, titled Stop! Don’t Read
This, available on the internet.
Head Stephen Ball, who Mrs Rustamova said had described the project as a
‘triumph’ and a ‘superb job’ for interesting the group in literacy,
suspended and then fired her.
Yesterday she started a bid for compensation.
Mrs Rustamova, 40, worked at Calder High School, a comprehensive in
Halifax, for 11 years.
She read chapters in class and used feedback from a group of pupils who
called themselves ‘the Commie Boys’ in writing the novel.
It features a teacher, also called Miss Rusty, and five Year 11 pupils who
are her ‘favourites’.
Daily Mail
Got Testosterone?
The gender imbalance at the heart of the British and American literary
establishment has been laid bare by a new study confirming that leading
literary magazines focus their review coverage on books written by men,
and commission more men than women to write about them.
Statistics compiled by Vida,
an American organisation for women in the literary arts, found gender
imbalances in every one of the publications cited, including the London
Review of Books, the Times Literary Supplement and the New York Review of
Books.
In the UK, the LRB reviewed 68 books by women and 195 by men in 2010, with
men taking up 74% of the attention, and 78% of the reviews written by men.
Seventy-five per cent of the books reviewed in the TLS were written by men
(1,036 compared to 330) with 72% of its reviewers men.
Meanwhile Granta magazine, which does not review but includes original
contributions, featured the work of 26 female and 49 male writers in 2010,
with men making up 65% of the total.
In the US, The New York Review of Books shows a stronger bias. Among
authors reviewed, 83% are men (306 compared to 59 women and 306 men), and
the same statistic is true of reviewers (200 men, 39 women). The New York
Times Book Review fares better, with only 60% of reviewers men (438
compared to 295 women). Of the authors with books reviewed, 65% were by
men (524 compared to 283 by women).
"The truth is, these numbers don't lie," said Vida. "But that is just the
beginning of this story. What, then, are they really telling us? We know
women write. We know women read. It's time to begin asking why the 2010
numbers don't reflect those facts with any equity."
Guardian
Assange Hires Ghost
For Memoir
The news that Andrew O'Hagan has signed on to ghost the book for which
Julian Assange
has already been paid more than $1m is a piquant reminder that while
everyone has a book in them, not everyone can get it out.
The revelations of WikiLeaks run to an estimated 300m words, but it seems
that its founder either cannot or will not manage the modest 70–80,000
words about himself that his publishers have requested.
Assange is not the first. More than is generally realised, the bestselling
titles of our time have a troubled (shall we say complicated?)
relationship with the names whose authorship they advertise. Keith
Richards's Life was written by
James Fox. Katie Price (aka Jordan) relied on Rebecca Farnworth to launch
her career as a novelist with Angel.
Further down the food chain, even that infuriating meerkat from the
comparethemarket.com adverts has had A
Simples Life put together by Val Hudson, formerly of Headline.
The top category of ghosted titles, now a declining market, remains the
misery memoir, books such as Tell me Why,
Mummy or Please, Daddy, No,
or Sharon Osbourne's Extreme:
My Autobiography.
During the past 10 years, this genre has been a huge money-spinner,
accounting for almost 10% of the UK book market, closely followed by
run-of-the-mill celebrity autobiographies (Russell Brand's
My Booky Wook), true crime memoirs
(Dave Courtney's Stop the Ride, I Want to
Get Off), sporting lives (Wayne Rooney's
My Story So Far) and tales of
derring-do (Bruce Parry, Bear Grylls, et al). As some publishers have
discovered, it's not always a licence to print money. Bill Oddie's
One Flew Into the Cuckoo's Egg sold
just 4,811 copies.
The ghost's world may be one of jeopardy, but it's probably less perilous
than it is depicted in Robert Harris's thriller
The Ghost. First, there's the
inevitable tussle over money. Traditionally, the ghost receives 33% of the
advance (plus royalties). In recession, this has been squeezed to as
little as 10%, a figure the better class of ghost will disdain.
Often, battles over the money pale into insignificance next to the titanic
clash of egos involved in taking on another's voice and character. The
ghosts I've spoken to tell me that the subject they approach with utter
dread is the fragile personality with pretensions to authorship.
Who is not vulnerable to the tug of
amour-propre? The ghost, who starts out as a hybrid of therapist,
muse and friend, enters a psychological minefield. The ghost should, I'm
advised, never forget that, at the end of the day, he or she ranks
somewhere between a valet and a cleaner. Jennie Erdal's
Ghosting is an entertaining and
often moving account of life in this literary skeleton cupboard.
The Guardian
Bits & Bytes
Thousands More Listings for AmSAW PROFESSIONAL MEMBERS Today
FICTION
Debut
Stegner Fellow and recent contributor to The New Yorker, Jim Gavin's
collection of stories MIDDLE MEN, a humorous and panoramic view of
Southern California and of a group of men, from young dreamers to old
vets, making doomed forays into middle class respectability, and a novel,
THE GOLDEN AGE OF CHROME AND NICOTINE, to Anjali Singh at Simon &
Schuster, at auction, by PJ Mark at Janklow & Nesbit (NA).
Adjunct professor at Montana State University and a Pushcart Prize winner
Glen Chamberlain's CONJUGATIONS OF THE VERB TO BE, comprising stories
about ordinary people, illustrating that we choose, consciously or not,
the verbs by which we act; how we move from one state of existence to
another, to Christopher Lehmann-Haupt at Delphinium Books, for publication
in Fall 2011, by Sandra Bond at Bond Literary Agency.
Bennington MFA graduate J. Ross Angelella's ZOMBIE, narrated by a
14-yr-old boy whose obsessions with zombie films and women's magazines
help him weather both life at an all-boys Catholic school and the
increasingly disturbing behavior of his father, to Mark Doten at Soho
Press, for publication in Spring 2012, by Douglas Stewart at Sterling Lord
Literistic (World English).
Women's/Romance
Jennifer Hudson Taylor's HEART'S INHERITANCE, part of a 4-novella
collection entitled "Highland Crossing", to Rebecca Germany at Barbour, in
a nice deal, by Terry Burns at Hartline Literary Agency.
terry@hartlineliterary.com
General/Other
NYT bestselling author of A DOG'S PURPOSE and the forthcoming EMORY'S
GIFT, W. Bruce Cameron's sequel to A DOG'S PURPOSE and a Christmas
novella, to Kristin Sevick at Forge, in a major deal, both for publication
in 2012, by Scott Miller at Trident Media Group.
Brick Lane author Monica Ali's UNTOLD STORY, imagining a future for
Princess Diana if she hadn't died in the Alma Tunnel in Paris in 1997;
imagining her future and examining the meaning of identity, the cost of
celebrity, and the need to find one's place in the world; like Diana, the
fictional princess who is the novel's heroine, is both icon and
iconoclast; will she ever find peace and happiness in her own life, or
will the curse of fame always be too great?, to Nan Graham at Scribner,
for publication in June 2011.
Children's: Young Adult
DARK LIFE author Kat Falls's THE FETCH, a dystopian romance trilogy set in
a future where the U.S. has been divided by a wall separating the
civilized West from the disease-ravaged East - now called the Savage Zone
- in which a 16-year-old must leave everyone she loves behind to enter the
frightening Savage Zone, where she meets a mysterious boy who's not all
that he seems to be, to Nick Eliopulos at Scholastic, in a significant
deal, in a three-book deal, for publication in Fall 2012, by Josh Adams
and Tracey Adams at Adams Literary (World)).
josh@adamsliterary.com
NONFICTION
Advice/Relationships
Dr. Alexander Loyd's THE HEALING CODE, which promises to heal the source
of any health, success, or relationship issue in just six minutes through
activation of a physical function of the body, to Diana Baroni at Grand
Central Life & Style, in a significant deal, in a pre-empt, for
publication in February 2011, by Bonnie Solow at Solow Literary
Enterprises.
Biography
Greg Tobin's THE GOOD POPE AND HIS GREAT COUNCIL: A Biography of Saint
John XXIII and Vatican II, a reappraisal of the life of the "Good Pope" to
understand why the Church of his successors faces such great peril today
on the 50th anniversary of Vatican II and the 2013 canonization of John
XXIII, to Michael Maudlin at Harper One for publication in Fall 2012, by
Stephen Hanselman, LevelFiveMedia.
History/Politics/Current Affairs
Josh Glasser's THE EIGHTEENTH DAY RUNNING MATE: Elation and Heartbreak in
the Candidacy of Thomas Eagleton, exploring the campaign drama that
captivated the nation in the summer of 1972 -- the selection and ultimate
removal of fellow Amherst alum, Thomas Eagleton, from the McGovern ticket
due to revelations that he suffered from depression and received
electroshock treatment, to Ileene Smith at Yale University Press, for
publication in summer 2012, by Kathy Robbins and Ian King at The Robbins
Office (World English).
i.smith@yale.edu
Humor
Jillian Madison's DAMN YOU, AUTOCORRECT!, based on the blog of the same
name, a humorous collection of the most inappropriate auto-corrected text
messages on your iPhones, Blackberries, and other smart phones, to Matt
Inman at Hyperion, at auction, for publication in March 2011, by Monika
Verma at Levine Greenberg Literary Agency (NA).
UK rights to Ed Faulkner at Virgin Books, in a pre-empt.
Rights:
efisher@levinegreenberg.com
Memoir
Shaquille O'Neal's "all-encompassing" autobiography, capturing his
extensive and successful career on the basketball court, while also
presenting a thorough look at his off-the-court activities and pursuits;
co-written by WHEN THE GAME WAS OURS author Jackie MacMullan, to Rick
Wolff at Grand Central, at auction, for publication in Fall 2011, by Jay
Mandel at William Morris Endeavor (World).
Narrative
A. J. Mackinnon's THE WELL AT THE WORLD'S END, the true story of an
old-fashioned quest by a modern adventurer; a traveller sets out on foot
to find a mysterious pool on a remote Scottish island whose waters, legend
has it, hold the secret to eternal youth; along the way, he has a series
of humorous adventures, to Julie Matysik at Skyhorse, by Markus Hoffmann
at Regal Literary (NA).
sophyw@blackincbooks.com
Parenting
Mrs. Q's FED UP WITH LUNCH: The School Lunch Project -- How One Anonymous
Teacher Survived a Year of School Lunches, foreword by Jamie Oliver,
chronicling the dark side of school lunches, and offering a guide to
change through "quiet revolution," to Leigh Haber at Chronicle, by Sarah
Bridgins at Frances Goldin Literary Agency.