Abe Lincoln:
Vampire Slayer?
In
2008, Jason Rekulak, an editor at a small Philadelphia publishing house,
had the bright idea to combine classic works of literature with
pop-culture tropes for fun and profit. He phoned Seth Grahame-Smith,
a.k.a. the luckiest freelancer in the world, and told him to write Pride
and Prejudice and Zombies. Grahame-Smith did — in two months flat — and it
sold more than a million copies. Now it's being made into a movie starring
Natalie Portman.
The success of Pride and Prejudice and Zombies kicked off a literary land
grab, with publishers rushing spin-offs and clones of the quote-unquote
original to press. (Note to self: Clone With the Wind?
A Room of One's Clone? A-clone-ment?) As for Grahame-Smith, he
turned around and sold a novel called
Abraham Lincoln: Vampire Hunter to a large New York City publisher
for a sum rumored to be in the mid — six figures. Bennett Cerf, founder of
Random House, once remarked that the most surefire best seller imaginable
would be a book called Lincoln's Doctor's Dog. He was close.
(See TIME's photo-essay "The Rise of Zombies.")
But there are specific reasons Pride and
Prejudice and Zombies worked that don't necessarily pertain to the
knockoffs. It wasn't an arbitrary mashup. Austen's novel is about the
comedy and pathos of people whose lives are shaped by monstrous realities
that they're too polite to talk about, namely money and sex. Zombies are
just another unspeakable thing to tiptoe around. There's a certain dream
logic to it, but it doesn't follow that the trick will work twice.
The conceit of Abraham Lincoln is
that Grahame-Smith — his very name is a mashup! — has come into possession
of Lincoln's secret diaries detailing his life as a stalker of vampires.
As a frontiersboy, Lincoln loses his mother to the undead and swears
lifelong vengeance. A giant among men — he was 6 ft. 4 in. (1.9 m) tall —
Lincoln adopts the ax, that most American of edged weapons, as the tool of
his trade, hiding it inside his signature long black coat.
Time
No Classics Safe from
Literary Mashups
by Carol Memmott, USA TODAY
It
has been a year since Pride and Prejudice
and Zombies was unleashed upon the unsuspecting masses. Rather
than running for their lives, readers ran to bookstores, making the quirky
collaboration between
Jane Austen and Seth Grahame-Smith a huge hit, with more than 1
million copies in print.
With the surprising success of that first literary mashup from Quirk
Books, there has been no stanching the flow of bloody titles featuring
classic literary icons doing battle with B-movie demons.
In Sherri Browning Erwin's Jane Slayre
(Gallery Books), hitting stores April 13, Charlotte Brontë's plain Jane
Eyre is an indomitable zombie killer.
We've seen gimmicky titles like Adventures
of Huckleberry Finn and Zombie Jim (Coscom Entertainment) and
Queen Victoria: Demon Hunter (Eos) jump on the bandwagon.
But is the trend threatening to jump the shark, as well?
USA Today
Author Solutions Announces
Distribution Partnership with Scribd
All New and Some Backlist Titles To Be Available through World’s Largest
Social Publishing Company
BLOOMINGTON,
Ind., Feb. 19, 2010 — Author
Solutions (ASI), the world leader in indie book publishing, announced
today a distribution deal with Scribd - the world’s largest social
publishing company.
Under terms of the agreement, all new ASI titles published through the
AuthorHouse,
iUniverse,
Trafford Publishing, and Xlibris
imprints will be made available for purchase. As well, a portion of ASI’s
backlist of more than 120,000 titles will be sold through the site.
“Scribd presents a great opportunity for our emerging authors to present
their work through a portal that attracts more than 50 million users each
month, and to potentially sell their content at much higher royalty
percentages than are possible with traditional paper-and-ink books,” said
Kevin Weiss, ASI president and chief executive officer.
Authors will receive 50 percent of the net sales of their titles through
Scribd. A default price of $9.99 will be set for every title, but each
author will have the opportunity to set his or her own price. Distribution
to Scribd will be included as a free service for all new ASI titles.
“Scribd is a great platform for indie authors to build readerships and get
their books distributed on many mobile devices,” said Tammy H. Nam, Scribd
vice president of content. “Our social publishing approach also enables
authors and readers to connect in a way that no other site offers.”
For more information on Author Solutions and its leadership of the indie
book publishing revolution, visit
http://www.authorsolutions.com.
Ten Rules for
Writing Fiction
Inspired by Elmore Leonard's 10 Rules of
Writing, here are some famous authors' personal do's and don'ts
1
Never open a book with weather. If it's only to create atmosphere, and not
a character's reaction to the weather, you don't want to go on too long.
The reader is apt to leaf ahead looking for people. There are exceptions.
If you happen to be Barry Lopez, who has more ways than an Eskimo to
describe ice and snow in his book Arctic
Dreams, you can do all the weather reporting you want.
2 Avoid prologues: they can be annoying, especially a prologue following
an introduction that comes after a foreword. But these are ordinarily
found in non-fiction.
A prologue in a novel is backstory, and you can drop it in anywhere you
want. There is a prologue in John Steinbeck's
Sweet Thursday, but it's OK because
a character in the book makes the point of what my rules are all about. He
says: "I like a lot of talk in a book and I don't like to have nobody tell
me what the guy that's talking looks like. I want to figure out what
he looks like from the way he talks."
3 Never use a verb other than "said" to carry dialogue. The line of
dialogue belongs to the character; the verb is the writer sticking his
nose in. But "said" is far less intrusive than "grumbled", "gasped",
"cautioned", "lied". I once noticed Mary McCarthy ending a line of
dialogue with "she asseverated" and had to stop reading and go to the
dictionary.
4 Never use an adverb to modify the verb "said" . . . he admonished
gravely. To use an adverb this way (or almost any way) is a mortal sin.
The writer is now exposing himself in earnest, using a word that distracts
and can interrupt the rhythm of the exchange. I have a character in one of
my books tell how she used to write historical romances "full of rape
and adverbs".
5 Keep your exclamation points under control. You are allowed no more
than two or three per 100,000 words of prose. If you have the knack of
playing with exclaimers the way Tom Wolfe does, you can throw them in by
the handful.
6 Never use the words "suddenly" or "all hell broke loose". This rule
doesn't require an explanation. I have noticed that writers who use
"suddenly" tend to exercise less control in the application of exclamation
points.
7 Use regional dialect, patois, sparingly. Once you start spelling words
in dialogue phonetically and loading the page with apostrophes, you won't
be able to stop. Notice the way Annie Proulx captures the flavour of
Wyoming voices in her book of short stories
Close Range.
8 Avoid detailed descriptions of characters, which Steinbeck covered. In
Ernest Hemingway's "Hills Like White Elephants", what do the "American
and the girl with him" look like? "She had taken off her hat and put it on
the table." That's the only reference to a physical description in the
story.
9 Don't go into great detail describing places and things, unless you're Margaret
Atwood and can paint scenes with language. You don't want descriptions
that bring the action, the flow of the story, to a standstill.
10 Try to leave out the part that readers tend to skip. Think of what you
skip reading a novel: thick paragraphs of prose you can see have too many
words in them.
My most important rule is one that sums up the 10: if it sounds like
writing, I rewrite it.
Elmore Leonard's 10 Rules of Writing
is published next month by Weidenfeld & Nicolson. - Elmore Leonard
Guardian
Another E-Reader, Asus Offers
3G Option
by Rachel King
Asus
is having a big day over at CeBIT in
Germany. The company has also made an official announcement about their
upcoming DR-900 e-book reader.
Based on the picture and
the description that the screen displays “crisp, paper-like” pages,
the touchscreen is probably only greyscale. (Yes, there are color
publications, but I’m thinking newspaper print-style only here.) The lack
of color could be a good thing, though, depending what the final price
turns out to be. Asus also touts the DR-900 as a slim e-ink device,
claiming it’s also “no thicker than a pencil.”
Here’s what Asus has told the world so far:
-
Sipix touchscreen (1024 x 768 resolution)
-
4GB of storage space
-
Wi-Fi
-
3G connectivity optional
-
Battery life: 10,000 pages or twenty 400-page novels on a single charge
-
File support: PDF, TXT, MP3 and ePUB files
Again, there’s no news regarding pricing or release dates yet, but
hopefully we’ll see something by the end of the week.
New Profit Program a
Real Lulu
Lulu,
a Raleigh company with technology that allows authors to publish their
works for free, is now inviting developers and even publishers to get in
on the action.
The new Lulu Publication API allows developers to access the company’s
technology platform, opening the door for individuals and organizations to
create Web-based applications that provide on-demand, free publishing with
customized branding.
A software company, for example, could instantly publish hundreds of
manuals and distribute them worldwide. Another example: Publishers can set
up a Lulu-powered publishing engine on their Web sites that would allow
independent authors to publish and sell their works under a new imprint.
Lulu is hoping that opening up access to its technology will result in
more content being published. The company makes money by splitting profits
on an 80-20 basis on content published and sold through Lulu – the author
keeping 80 percent of the profit above manufacturing costs and Lulu
getting the other 20 percent.
If an author sets the price for a book at, say, $20, and the manufacturing
cost is $10, then the $10 profit would be split with $8 going to the
author and $2 going to Lulu.
The same profit split will apply to content published through the
customized versions of the Lulu publishing platform produced via the API
program.
“This API program (which is free) provides another means to get more
content into the world,” said company spokesman Jonathan Cox in an e-mail
response. “When that content sells, the creators and Lulu both will
benefit.”
Lulu, which provides free publishing and an online marketplace for
creators to sell their works through
Lulu.com, has 120 employees – most of whom work at the company’s
Hillsborough Street headquarters in Raleigh.
The company was formed in 2002 by Red Hat (NYSE: RHT) co-founder Bob
Young.
John Grisham To Pen
YA Legal Thrillers
Thriller writer John Grisham reveals that new children's series will
feature a teenage legal maverick, Theodore Boone
The Guardian
If
his success with young readers is anything like his achievement with
adults, horsehair wigs for kids may soon be ousting Harry Potter
merchandise from the shops. John Grisham, whose legal thrillers have
shifted more than 250m copies to adult readers, is set to move into the
children's market with a new series of novels about a 13-year-old "who
knows more about the law than most lawyers" and gets caught up in a murder
trial.
Grisham's move, revealed on the Bookseller website today, will begin with
his first serial character, teenage legal maverick Theodore Boone. He has
signed a two-book deal with Hodder (not his usual publisher) for the Boone
novels, the first of which will be published on 10 June this year.
Oliver Johnson, who was Grisham's editor at Century and now works for
Hodder, told the Bookseller the Boone books were a "terrific new project".
He said: "Theodore Boone is vintage Grisham: great legal drama, a lovable
hero who brought a smile to my face and a really satisfying ending, all
delivered at breakneck, page-turning speed."
Many a literary name – from Ted Hughes and TS Eliot to Booker winners
Margaret Atwood, Roddy Doyle, Ian McEwan and Peter Carey – has written for
children in the past. Big-name commercial novelists going after the youth
market are rather rarer, although James Patterson, perhaps inevitably
given his presence everywhere else in the book market, established the
Maximum Ride series for young readers in 2005, and has already published
five books, with a sixth due out next month.
In 2007, Nick Hornby published Slam, about a teenage skateboarder. In the
same year, Joanne Harris published a fantasy novel reworking Norse
mythology for young readers, Runemarks, and a sequel is promised.
Before Grisham, few people would have expected stories about lawyers to be
the stuff of multi-million-selling blockbusters. Even fewer, presumably,
would tip legal thrillers for the 9-to-12-year-old market as obvious
winners. But with Grisham on the case, the verdict is always liable to
surprise.
Books Overtake Games
For First Time
In what is predicted to be a pivotal year for ebooks, with next month's
iPad launch, the number of books available as iPhone apps now exceeds the
number of games
The
electronic book passed another milestone this month, with the number of
books available on the iTunes App Store passing the number of games for
the first time. According to data released earlier this month by the
mobile phone advertising company Mobclix, there are more than 27,000 books
now available as apps. Games lag behind, with 25,400 published this year,
followed by entertainment, education and travel.
It's a trend that seems to be gathering momentum, with the number of book
apps outnumbering games almost two to one over the past month. Next
month's launch of the iPad, Apple's new tablet reader, alongside a
dedicated book store, is set to accelerate the shift to electronic reading
still further.
"The iPhone has always been perceived as a games-centric device, said
Canongate's digital editor, Dan Franklin, "so the idea that books are
outranking games is very exciting."
Franklin, who moved into digital publishing a year ago, said that his
first thought on getting the job was, "When are Apple going to do
something?" because "they have form". A move from Apple into the ebook
market will "bring new people to reading like they have brought new people
to music with the iTunes store", he added.
"It's a very exciting time," agreed Penguin's digital publisher, Jeremy
Ettinghausen. "It's very exciting that people are using iPhones to read
books."
The Guardian
Harlequin Books on Nintendo
In Japan
Harlequin is the first non-Japanese publisher with
titles on Nintendo DS
TORONTO
and TOKYO, March 12 /PRNewswire/ -- Harlequin Enterprises Limited (www.eHarlequin.com),
a global leader in series romance and one of the world's leading
publishers of women's fiction, announced today that select Harlequin books
are now available on the Nintendo DS™ in Japan.
DS Harlequin Selection: Love Stories for
Grown-Ups (literal translation of the Japanese title) consists of
33 titles by acclaimed Harlequin authors and
New York Times bestselling
novelists. Twenty-five of the titles have been previously published, five
are new titles that will debut with the launch of
DS Harlequin Selection and three
titles were formerly available only as online reads.
DS Harlequin Selection: Love Stories for
Grown-Ups enhances the reading experience by offering a number of
interactive features accessed through easy touch screen operation — a
"concierge" that allows you to navigate stories by mood or type of
heroine, character correlation charts and lists that are updated along
with plot developments, narrative annotations including maps for
locations, digital bookmarks, story recaps that bring readers up to where
they last left off, a choice of background music, Author introductions and
images, polls on hero ranking, review rankings by other users via Wi-Fi
connection and more.
"We are thrilled to be the first publisher outside of Japan to have its
stories available on the Nintendo DS," said Donna Hayes, Publisher and CEO
of Harlequin Enterprises Limited. "DS
Harlequin Selection introduces Harlequin to a new generation of
readers who demand accessibility, portability and supplemental features
that enhance their reading experience."
Yahoo
Grabbers: Opening Lines
From New Books
Dolores
did not look good in a scarf. - "Don't Cry," stories, now in paperback, by
Mary Gaitskill
As the ground rushes up to meet him, Kevin thinks about missiles again. -
"Next," a novel by James Hynes
I knew very well that she wasn't there. - "Unforgivable," a novel by
Philippe Djian
Amanda was cutting herself. - "Live Through This," a novel by Debra
Gwartney
Where was his rear end going? - "From Away," a novel by David Carkeet
Many Americans have no idea where their food comes from, and many have no
desire to find out. - "Animal Factory: The Looming Threat of Industrial
Pig, Dairy and Poultry Farms to Humans and the Environment," by David
Kirby
I slept with my French husband halfway through our first date. - "Lunch in
Paris: A Love Story, With Recipes," by Elizabeth Bard
The first sentence of a novel is the most important, except for maybe the
last, which can stay with you after you've shut the book, the way the echo
of a closing door follows you down the hall. - "The Serialist," a novel by
David Gordon
SF Chronicle
Bits & Bytes
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FICTION
General/Other
Susan Woodring's GOLIATH, focusing on the interior lives of a clutch of
the town's citizens, including the scion of the furniture business, whose
suicide sets the events of the book in motion, and his secretary and
one-time lover, whose relationships with her boss, daughter and a
gentleman friend animate this novel pitched as comparing well to Annie
Dillard and Elizabeth Strout, to Elizabeth Beier at St. Martin's, in a
pre-empt, in a nice deal, by Peter Steinberg at The Steinberg Agency
(world English).
Children's
A line of Classic Winnie the Pooh books, illustrated in the E.H Shepard
style, the first time a US publisher has been licensed to create new
stories based on the original Pooh adventures, to Francesco Sedita at
Grosset & Dunlap, for publication beginning in April 2010, by Disney
Licensed Publishing.
Children's: Picture book
Cedella Marley's ONE LOVE and THREE LITTLE BIRDS, two picture books based
on the classic Bob Marley songs, as adapted by his daughter and
illustrated by Vanessa Newton, to Julie Romeis at Chronicle, in a good
deal, by Ken Wright at Writers House and Barbara Marcus (world).
julie_romeis@chroniclebooks.com
Film
Edward Mooney's originally self-published novel The Pearls of The Stone
Man, about two soulmates suddenly left with only months remaining, after
53 years of marriage, to producers Steven Jay Rubin, Ben Glass and Brett
Cullen, by Anne Landa for Sourcebooks.
anne.landa@sourcebooks.com
NONFICTION
Anthology
Maria de la Luz Reyes's BILITERATE AGAINST THE ODDS, essays from Latino
scholars on growing up in an era before bilingual education, when speaking
Spanish was forbidden in schools -- powerful arguments from experts "biliterate
against the odds" for the need to support students today learning in two
languages, to Meg Lemke at Teachers College Press, in a nice deal, for
publication in Spring 2011 (World).
lpowell@tc.edu
Biography
Mark Lamster's PHILIP JOHNSON: Architect of the Modern Century, moving to
Michael Sand at Little, Brown, at auction, by Sarah Burnes at The Gernert
Company (world).
Rights: Tracy.Williams@hbgusa.com
Health
Kristen Ma's BEAUTY PURE AND SIMPLE, a concise guide to Ayurvedic skin
care, to Beth Frankl at Shambhala, in a nice deal, by Alisha Sevigny at
The Rights Factory (US).
bfrankl@shambhala.com
How-To
NYT bestseller Cesar Millan with Melissa Jo Peltier's CESAR'S RULES, a
practical, prescriptive handbook on discipline, obedience, and training,
again to Shaye Areheart and Julia Pastore at Harmony, in a major deal, by
Scott Miller at Trident Media Group (NA).
Memoir
Oprah.com producer Rachel Bertsche's MWF SEEKING BFF, chronicling the
author's search for a new best friend after she moves to Chicago for love,
and the many discoveries she makes while embarking on 52 girl-dates over
the course of a year, to Jennifer Smith at Ballantine Trade Paperbacks, by
Alison Schwartz at ICM (World).
Narrative
New York magazine executive editor John Homans's WHAT'S A DOG FOR?: What
the Changing Human-Canine Relationship Tells Us about Who We Are, a
narrative exploration of the co-evolution of man and dog, combining
first-person reportage, memoir, and state-of-the-art "dog science"
research to understand the dog as an artifact of human culture, and to
trace the progression of the dog from its rural past to its urban present
and future, to Colin Dickerman at Rodale, at auction, by David Kuhn at
Kuhn Projects (NA).
jenny@meyerlit.com
Parenting
Phil Counsineau's WORDCATCHER: An Odyssey into the World of Weird and
Wonderful Words, a book of word origins and stories, to Brenda Knight at
Viva Editions, in a nice deal, for publication in April 2010, by Amy
Rennert at the Amy Rennert Agency (World).
bknight@cleispress.com
Religion/Spirituality
Thomas Cleary's TAO TE CHING: A Zen Master's Talks, a down-to-earth
translation of the classic with commentary by Takuan Soho, a seminal Zen
master who lived in the seventeenth century, to Beth Frankl at Shambhala,
in a nice deal, for publication in spring 2011 (world).
bfrankl@shambhala.com