was the original angry young man. He was a man before his time.
And he was so much more. A mere seven
years after the territories of Oklahoma were granted statehood, Lewis Alfred
and Ida Millsap Ellison gave birth to a son. They
named him Ralph Waldo, in honor of author/philosopher Ralph Waldo Emerson. The year was 1914.
Winter clung tenaciously to the horizon. And tough times lay ahead.
In 1911, Lewis
Ellison had come to Oklahoma from
Chattanooga, Tennessee, to work as a construction foreman. His wife had grown up on a
White Oak, Georgia. When their son was only three, Lewis passed away
unexpectedly, and Ida struggled to keep the wolves from the door.
While growing up, young master Ellison showed a talent for music. He performed on
the trumpet for friends and family. In high school, he joined the band
and planned on becoming a professional musician. Two of his dearest friends
were blues singer Jimmy Rushing and trumpeter Hot Lips Page.
help of a music scholarship, Ellison entered Tuskegee Institute in Macon
County, Alabama in 1933. He hadn't enough money for train fare, so he
hitched his way by rail to the
school. Along the way, he passed through Decatur, Alabama, where the
Scottsboro trial in which several young black men were accused of raping a
white woman was underway. Ellison was nearly arrested simply for being
black, and the experience left an indelible
impression on him.
moving to New York City to study sculpture, Ellison once again changed plans
when a chance encounter with Langston Hughes and Richard Wright led him to
the Federal Writers' Project. The two Afro-American authors encouraged
Ellison to write stories and book reviews for various New
York magazines and newspapers. Ellison left school to devote his life
From 1939 to 1944, Ellison
published eight short stories. With each one, his writing grew in both eloquence and complexity. He stopped sharing his
Wright--some say as a symbol of his growing literary maturity. Ellison
"...our sensibilities were quite different; and, what I was hoping to
achieve in fiction was something quite different from what he wanted to
In 1943, when the Harlem race riots broke out,
Ellison--by now an accomplished reporter--covered them for the New York Post. "It was during
[World War II] and there was a lot of tension, and after some altercation between a
policeman and a Negro soldier and his mother and wife in a bar, Harlem just
exploded and they rioted for a day and a night and destroyed many of the
white businesses...Most of the business area in Harlem, the neighborhood
grocers and so on, was shattered, looted, burned."
Later that year, Ellison enrolled for two years in the
Merchant Marines "to contribute to the war, but [not] be in a Jim Crow
army." The next year, while on sick leave, he received a scholarship
from the Rosenwald Foundation to write a novel. Affected by the
experience of friends in the Army Air Corps, he planned to set his book in a
Nazi Germany prisoner-of-war camp, in which the ranking officer is a Negro
pilot who has a number of white pilots beneath him in rank.
One day, while starting at his typewriter in a barn on a friend's Vermont
farm, he typed the sentence, "I am an invisible man." He didn't
know where it came from, but he wanted to pursue the idea, to find out what
kind of a person would think of himself as invisible.
The sentence turned into his first and most famous novel, Invisible Man (1953),
which tells the life story of a disillusioned African-American man who has
gone through a series of misadventures.
"I am an
invisible man. No, I am not a spook like those who haunted Edgar Allen Poe;
nor am I one of your Hollywood-movie extoplasms. I am a man of substance,
of flesh and bone, fiber and liquids--and I might even be said to possess a
mind. I am invisible, understand, simply because people refuse to see me.
Like the bodiless heads you see sometimes in circus sideshows, it is as
though I have been surrounded by mirrors of hard, distorting glass. When
they approach me they see only my surroundings, themselves, or figments of
their imagination -- indeed, everything and anything except me." - Prologue
from Invisible Man
won the National Newspaper Publisher's Russwurm
Award, the Chicago Defender's Award for its portrayal of the best in
American Democracy, and the National Book Award. In choosing Ellison's
work the best of the year, the Book Award judges declared, “In Invisible Man Ralph
Ellison shows us how invisible we all are to each other. With a
positive exuberance of narrative gifts, he has broken away from the
conventions and patterns of the tight ‘well-made’ novel.”
In accepting the award, Ellison worried that the judges were
“rewarding my efforts rather than my not quite fully achieved attempt at a
major novel.” Years later, in an interview for the Paris Review
(Number 8), he repeated his fear that the novel was “not an
important one,” adding, “I failed of eloquence.”
But history would prove
Ellison wrong. Decades later, the book would
continue to be held in high esteem. In a Wilson Quarterly poll of
professors of American literature conducted in 1978, Invisible Man
was selected as the most important novel published in the United States
since World War II.
Ellison spent the
following the publication of Invisible Man lecturing, speaking, and working on his second
novel, but he never finished it. In 1967, more than 300 pages of the
manuscript were destroyed in a fire, but the author trudged on.
By the time Ralph Waldo Ellison died in Harlem in 1994, he had completed
more than 1,500 pages of the novel. The story spans almost 150 years
and includes three plotlines and more than a dozen narrators.
scholar John F. Callahan whittled the manuscript down to 900 pages and
published it in 1999 under the title Juneteenth. The novel
covers much of African-American history in the twentieth century while
focusing on the story of a U.S. senator who was raised as a light-skinned
black in rural Georgia. The book became a national
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