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Naturally, she told
her two clients about the offer, as well as about the shortcomings
of
the contract. And then she asked the editor if she could make a few suggestions
for improvement. She said fine and then rejected every single one.
My agent told her authors
that, in the end, the decision to accept the offer and contract was
theirs, although she highly advised against doing so. Fortunately, they took her advice.
Several months later,
that same editor approached my agent with a newly revised, revamped, and
greatly improved contract. Although not perfect, it at least offered
the minimum amount of protection a publishing contract should provide for
both parties.
Bottom line: Two new
debut authors will be entering the world shortly. And both couldn't
be happier.
The lesson to learn
in all of this is not to be too eager to accept the first offer for
publication to come along. Have the contract reviewed by someone who
knows what he's doing, and don't be afraid to negotiate with the editor.
If an editor likes a property enough to offer a contract on it, he's going
to like it enough to bend a little--or, as in the case above, a lot--on
some of the details.
What's that old adage
in sales? You can always come down in price, but you can never go
up. Once you've made a commitment, or the editor has, you're pretty
much locked in. So, think about that before you sign on the dotted line!
In the meantime...
Smoke if you got 'em.
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